понедельник, 30 марта 2009 г.

What do you know about hip-hop? Part 4


East Coast


New York became dominated in terms of sales by Puff Daddy (No Way Out), Mase (Harlem World) and other Bad Boy Records artists. Other New York-based artists continued with a harder sound, achieving limited popular success. Nas (Illmatic), and The Wu-Tang Clan (Enter the Wu-Tang (36 Chambers)), for example, received excellent reviews but generally mediocre sales.

The rivalry between the East Coast and the West Coast rappers eventually turned into a personal rivalry, aided in part by the music media.


Diversification of styles

In the late '90s, the style of hip hop diversified. The South got on the hip hop map with the rise of Southern rap[19], starting with OutKast's ATLiens and Goodie Mob's (Soul Food). Both groups were based out of Atlanta. Later, Master P (Ghetto D) built up a roster of artists (the No Limit posse) based out of New Orleans. Master P incorporated G funk and Miami bass influences, and distinctive regional sounds from St. Louis, Chicago, Washington D.C., Detroit and others began to gain popularity. Also in the 1990s, rapcore (a fusion of hip hop and heavy metal) became popular among mainstream audiences. Rage Against the Machine, Linkin Park and Limp Bizkit were among the most well known rapcore bands. Though white rappers like the Beastie Boys, Vanilla Ice, and 3rd Bass had had some popular success or critical acceptance from the hip hop community, Eminem's success, beginning in 1999 with the platinum The Slim Shady LP surprised many. However, Eminem was criticized for glorification of violence, misogyny, and drug abuse as well as homophobia and albums laced with constant profanity Some alternative hip hop musicians, with a socially aware or positive or optimistic tone, achieved moderate mainstream success. Such examples include De La Soul's Three Feet High and Rising which was listed in The Source Magazine's 100 Best Rap Albums. Gang Starr's No More Mr. Nice Guy and the Jungle Brothers' Straight Out the Jungle are considered notable albums in this genre, with jazz-based samples and lyrics (see jazz rap) strongly influenced by the Afrocentric messages of Bambaataa's Zulu Nation collective. Later alternative artists like A Tribe Called Quest, Mos Def, and The Roots, also achieved some mainstream success, though the influence of jazz had grown less pronounced (with some exceptions, such as Guru's Jazzmatazz project). Jazz rap went on to influence the development of trip hop in the United Kingdom, which fuses hip hop, jazz, and electronic music. It is said to have been started by Massive Attack's Blue Lines (1991). Arrested Development released their album 3 Years, 5 Months & 2 Days in the Life Of... in 1992, which included the hit single, "Tennessee."



2000s

World and national music


In the year 2000, The Marshall Mathers LP by Eminem sold over ten million copies in the United States, and Nelly's debut LP, Country Grammar, sold over six million copies. The United States also saw the success of alternative hip hop in the form of moderately popular performers like The Roots, Dilated Peoples and Mos Def, who achieved unheard-of success for their field.

As the decade progressed, hip hop has transformed from the more or less "old school" rhythmic rap to a more melodic hip hop that has the elements of jazz, classical, pop, reggae, and many other genres. Hip hop also gave birth to subgenres such as snap music and crunk. Hip hop influences also found their way into mainstream pop during this period as well.

Some countries, like Tanzania, maintained popular acts of their own in the early 2000s, though many others produced few homegrown stars, instead following American trends. Scandinavian, especially Danish and Swedish, performers became well known outside of their country, while hip hop continued its spread into new regions, including Russia, Japan, Philippines, Canada, China, Korea and India.

In Germany and France, gangsta rap has become popular among youths who like the violent and aggressive lyrics. Some German rappers openly or comically flirt with Nazism, Bushido (born Anis Mohamed Youssef Ferchichi) raps "Salutiert, steht stramm, Ich bin der Leader wie A" (Salute, stand to attention, I am the leader like 'A') and Fler had a hit with the record Neue Deutsche Welle (New German Wave) complete with the title written in Third Reich style Gothic print and advertised with an Adolf Hitler quote. These references also spawned great controversy in Germany

Decline in sales

Starting in 2005, sales of hip-hop music in the United States began to severely wane, leading Time magazine to question if mainstream hip-hop was "dying." Billboard Magazine found that, since 2000, rap sales dropped 44%,and declined to 10% of all music sales, which, while still a commanding figure when compared to other genres, is a significant drop from the 13% of all music sales where rap music regularly placed. NPR culture critic Elizabeth Blair noted that, "some industry experts say young people are fed up with the violence, degrading imagery and lyrics. Others say the music is just as popular as it ever was, but that fans have found other means to consume the music." It can also be argued that many young people now download music illegally, especially through P2P networks, instead of purchasing albums and singles from legitimate stores. Some put the blame on the lack of lyrical content that hip hop once had, for example Soulja Boy Tell 'Em's 2007 debut album souljaboytellem.com was met with negative reviews. Lack of sampling, a key element of hip hop also has been noted for the decrease in quality of modern albums. For example, there are only four samples used in 2008's Paper Trail by T.I., while there are 35 samples in 1998's Moment of Truth by Gang Starr. The decrease in sampling is in part due to it being too expensive for producers. In Byron Hurt's documentary Hip Hop: Beyond Beats and Rhymes, he claims that hip hop had changed from "clever rhymes and dance beats" to "advocating personal, social and criminal corruption."

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